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Parça Ismi: THE YOUNG LOVER A Parça No: SAS 232 15.0 (Parça kodu: SAS023215) Besteci: Frederick Nsoyuni
Sanatçilar: Frederick Nsoyuni EAN/GTIN: 4020771132324 ISRC: DE-B63-13-23215 Albüm Ismi: CAMEROON POP Katalog No: 232 Albüm: SAS Telif Hakki Sahibi: Sonoton Authentic Series - SAS LC No: 07573
Sanatçilar: Frederick Nsoyuni EAN/GTIN: 4020771132324 ISRC: DE-B63-13-23215 Albüm Ismi: CAMEROON POP Katalog No: 232 Albüm: SAS Telif Hakki Sahibi: Sonoton Authentic Series - SAS LC No: 07573
Cameroon pop song about love, male vocals. Fadeout ending. 128 bpm (Gmaj)
| Artists | Frederick Nsoyuni |
|---|---|
| Tempo | Orta, 128 bpm |
| Key | Gmaj |
| Featured instruments | Vokal / Ses (feat.) |
| Formation | Kisa (2-10) |
| Sound | Dogal ses |
| Version | Ana versiyon |
| Duration | 4:00 |
| Release date | 2013-01-08 |
| ISRC | DEB631323215 |
| Download file name | SAS023215_THE_YOUNG_LOVER_A_SONOTON |
| GEMA Workcode | 13534365 |
1-9, 12-14, 17-19, 22-30: Arranged & produced by the composer. Recorded at M1 Studio Buea, Cameroon. Sound engineer & programing: Emil Ngoumba. Mixed by Pit Floß and David Santiago at INTERSOUND Studios, Munich.
Eric Grey (Guitar 1), Bobgala Didier (Guitar 2), Godlove Muntoh (Lung), Joseph (Bass), Ba Gota (Traditional Flute), Alain Oyono (Saxophone), Clovis (Toumba), Chorus - Bobgala Didier, Achale, Doh Abigelle & Kale and Vocalist - Bobgala Didier.
10, 11, 15, 16, 20, 21: Arranged & produced by the composer and his band. Recorded and mixed at Towa's Studio, Bamenda, Cameroon. Sound engineer: Carlos Towa. Assistant engineer: Tata Anthony Liybarfee.
Carlos Towa (Bass Guitar), Okoro - Tata Anthony Liybarfee (Keyboard), Inna - Venasius Dzelafen (Rhythm Guitar), Hiltop - Frederick Nsoyuni (Solo Guitar, Back-up, Lead Vocal).
Mastered by Wolfgang Meyscheider at digital music & media, Traunwalchen.
Cover design: Sahar Aharoni
Eric Grey (Guitar 1), Bobgala Didier (Guitar 2), Godlove Muntoh (Lung), Joseph (Bass), Ba Gota (Traditional Flute), Alain Oyono (Saxophone), Clovis (Toumba), Chorus - Bobgala Didier, Achale, Doh Abigelle & Kale and Vocalist - Bobgala Didier.
10, 11, 15, 16, 20, 21: Arranged & produced by the composer and his band. Recorded and mixed at Towa's Studio, Bamenda, Cameroon. Sound engineer: Carlos Towa. Assistant engineer: Tata Anthony Liybarfee.
Carlos Towa (Bass Guitar), Okoro - Tata Anthony Liybarfee (Keyboard), Inna - Venasius Dzelafen (Rhythm Guitar), Hiltop - Frederick Nsoyuni (Solo Guitar, Back-up, Lead Vocal).
Mastered by Wolfgang Meyscheider at digital music & media, Traunwalchen.
Cover design: Sahar Aharoni
Rough translation:
Love is wonderful you see, I wanna be chosen
Many are loved, but few are chosen
You see my eyes on you
So you better don't leave me alone
My daddy told me that whenever I was in love
I should be careful
I didn't know love could sometimes be boring
I know that for good or bad the choice is not
to turn back
Sweet or bitter to the end against all odds
I have made my mind up to see my eyes on you
So you better don't leave me alone
Whenever you go to my village of Yer
Extend my greetings to my beautiful lover
Diana's house is by the riverside
Better tell her I can't make it on my own
Better tell her to preserve my love
for I am coming to the end sweet or bitter
Against all odds I have made up my mind
You see my eyes on you
So you better don't leave me alone
Love is wonderful you see, I wanna be chosen
Many are loved, but few are chosen
You see my eyes on you
So you better don't leave me alone
My daddy told me that whenever I was in love
I should be careful
I didn't know love could sometimes be boring
I know that for good or bad the choice is not
to turn back
Sweet or bitter to the end against all odds
I have made my mind up to see my eyes on you
So you better don't leave me alone
Whenever you go to my village of Yer
Extend my greetings to my beautiful lover
Diana's house is by the riverside
Better tell her I can't make it on my own
Better tell her to preserve my love
for I am coming to the end sweet or bitter
Against all odds I have made up my mind
You see my eyes on you
So you better don't leave me alone
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