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Track name: EFRAHI YA MARIAM A
Trackcode: SAS015241
Composer: DP, Sayed Aziz (Arr.)
Artistas: Sayed Aziz
EAN/GTIN: 4020771232048
ISRC: DE-B63-23-06468
Album name: AUTHENTIC EGYPT
Catalogue number: SAS0152
Label: Sonoton Authentic Series - SAS
LC number: 07573
Trackcode: SAS015241
Composer: DP, Sayed Aziz (Arr.)
Artistas: Sayed Aziz
EAN/GTIN: 4020771232048
ISRC: DE-B63-23-06468
Album name: AUTHENTIC EGYPT
Catalogue number: SAS0152
Label: Sonoton Authentic Series - SAS
LC number: 07573
Coptic religious song performed by male choir singing in unison with light percussion featuring daf (frame drum) and sistrum (metal percussion instrument). 120 bpm (Cmin-Emaj)
| Artists | Sayed Aziz |
|---|---|
| Tempo | medio, 120 bpm |
| Key | Cmin-Emaj |
| Featured instruments | Vocal (feat.), Coro (feat.) |
| Formation | pequeño (2-10) |
| Sound | natural |
| Version | Versión principal |
| Duration | 3:05 |
| Release date | 2023-07-14 |
| ISRC | DEB632306468 |
| Download file name | SAS015241_EFRAHI_YA_MARIAM_A_SONOTON |
| GEMA Workcode | 34228508 |
Arranged and produced by Sayed Aziz. Sound engineer: Bassem Sobhy. Recorded at The Music Hub, Cairo, Egypt. Mixed by Peter Fuchs at INTERSOUND Studios, Munich, Germany.
Performed by Alaa Abou Serii (dofouf & choir vocals), Abd El Rahman Balala (solo main vocalist), Abdelazeem Azema (dof, req and tabla), Adel Mikha (main solo & choir vocals, handclaps), Ahmad El Ashry (tambour, choir vocals), Amin Shahin (arghoul, kawala), Amir Ezzat (daf, req, triangle), Bekhit Taki Saiid (choir), Bishoy Zakareya (choir), Emam Abou Samra (dofouf & choir vocals), John Samy (nay), Karam El Bengawy (main solo vocals), Kerolos Samy (violin), Michael Onsy (oud), Mohamad Daoud (choir vocals, oud, handclaps), Mohamad Shaker (rababa), Mohsen El Shimy (rababa), Mohsen El Ashry (semsemeya, spoons, handclaps, choir vocals), Nagah Abd El Hamid (mizmar), Hazem Abou Serii (dofouf & choir vocals), Mohamad Abou Zeid (dofouf & choir vocals), Om Sameh (main solo vocals), Ossama El Ashry (tabla, Dholla, choir vocals), Ragy Kamal (kanoun), Reda (dofouf & choir vocals), Rozza (choir vocals, dof, nogara, Sudanese bongos, handclaps), Ragy Kamal (kanoun), Saiid El Sharkawy (tabla), Sara El Rawy (main solo vocals), Sheikh Ehab Younis (solo main & choir vocals), Wael El Sayed (accordion), Walid Abdou (choir vocals & dof).
Mastered by Daniel Goodridge.
Artwork by Aikaterini Pingiou.
Performed by Alaa Abou Serii (dofouf & choir vocals), Abd El Rahman Balala (solo main vocalist), Abdelazeem Azema (dof, req and tabla), Adel Mikha (main solo & choir vocals, handclaps), Ahmad El Ashry (tambour, choir vocals), Amin Shahin (arghoul, kawala), Amir Ezzat (daf, req, triangle), Bekhit Taki Saiid (choir), Bishoy Zakareya (choir), Emam Abou Samra (dofouf & choir vocals), John Samy (nay), Karam El Bengawy (main solo vocals), Kerolos Samy (violin), Michael Onsy (oud), Mohamad Daoud (choir vocals, oud, handclaps), Mohamad Shaker (rababa), Mohsen El Shimy (rababa), Mohsen El Ashry (semsemeya, spoons, handclaps, choir vocals), Nagah Abd El Hamid (mizmar), Hazem Abou Serii (dofouf & choir vocals), Mohamad Abou Zeid (dofouf & choir vocals), Om Sameh (main solo vocals), Ossama El Ashry (tabla, Dholla, choir vocals), Ragy Kamal (kanoun), Reda (dofouf & choir vocals), Rozza (choir vocals, dof, nogara, Sudanese bongos, handclaps), Ragy Kamal (kanoun), Saiid El Sharkawy (tabla), Sara El Rawy (main solo vocals), Sheikh Ehab Younis (solo main & choir vocals), Wael El Sayed (accordion), Walid Abdou (choir vocals & dof).
Mastered by Daniel Goodridge.
Artwork by Aikaterini Pingiou.
Rejoice O Mary, handmaid and mother, for the angels praise Him who is on your lap.
And the Cherubim worthily worship Him, and the Seraphim too, without ceasing.
We have no boldness before our Lord Jesus Christ apart from your prayers and intercessions, O our Lady, the lady of us all, the Theotokos
And the Cherubim worthily worship Him, and the Seraphim too, without ceasing.
We have no boldness before our Lord Jesus Christ apart from your prayers and intercessions, O our Lady, the lady of us all, the Theotokos
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